2013 Lamborghini Aventador Lp 700-4 on 2040-cars

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Drive shows how Lamborghini LP750-4 SV hits 217 mph

No matter how you look at it, the Lamborghini Aventador LP750-4 SV is an absolutely astonishing automobile. Imagining more performance than the standard Aventador is difficult by itself, but company's engineers are able to boost power by almost 50 horsepower to 740 ponies, and copious carbon fiber body parts trim 110 pounds from the scales. We also already know that this limited model offers the spectacular ability to race around the Nurburgring in just less than seven minutes. Now in a sponsored video about Lambo, the brand's research and development boss Maurizio Reggiani is poetically telling Drive what goes into crafting such a special machine. According to Reggiani, the whole point of the SV is to make any driver feel like a hero behind the wheel. The model's abilities should let a person reach their own limits well before the coupe ever nears its own. That massive performance envelope then pushes the coupe's owners to keep getting better. While Reggiani beautifully expresses the passion behind engineering the Aventador SV, the real thrill in this clip is seeing and hearing the coupe snake around the Catalunya circuit. The 6.5-liter V12 makes a symphony of exquisite sounds around the Spanish track. Best of all, the closer the revs get to the 8,500-rpm redline the more that the engine lets out that rapturous wail. This is a video where you should turn the volume up and enjoy.

Lamborghini exploring more elegant designs

Ferrari's front-engined V12s and mid-engined V8s have taken turns monopolizing the brand's perception; the 550 Maranello was probably the last front-engined V12 to be first-to-mind, now the 458 Italia leads the family. Not so at Lamborghini, where a mid-engined V12 has been the go-to and centerpiece since the extraterrestrial Countach landed, and it still is no matter how much the Huracan outsells the Aventador. That shape, those doors, that engine – they're the franchise. That doesn't mean Lamborghini isn't trying new things. The Asterion LPI 910-4 concept from last year's Paris Motor Show was more than the marque's first draft of a hybrid, it was an exploration of a different avenue in design. According to design chief Filippo Perini, "We need to understand if we can open another window in our future to be not so extreme but also a little bit more politically correct and elegant." The Asterion points at elegance and "a daily use of the car" with more room inside, a slimmer rocker panel and sill for easier entry, and a raised hip point in the seats for a higher driving position. Perini said that from the driver's seat, "You can see the color of the car. That is something unknown in our very extreme designs." Extreme Lamborghinis aren't going away, however – note that Perini spoke of opening "another window" of design. The goal, he said, "is to understand if [its] design language will be appreciated by a different kind of customer." We can't imagine why not, and we hope we get more news about the "hyper cruiser" GT outside of magazine articles and auto show grandstanding. If it were up to us, Lamborghini would open that window all the way.

Lamborghini Miura Retro Review: What it's like to drive the original supercar

“Glon, youÂ’re in the Miura.” Hang on, IÂ’m in what now? About a minute later, I have the keys to a 1973 Lamborghini Miura SV finished in Oro Metallizzato. Five minutes later, IÂ’m annoyed by the frosty winter air whooshing onto my face but too enthralled by the V12Â’s noise to close the window. The person who coined the phrase “never meet your heroes” clearly hasnÂ’t been let loose in the original supercar, a model of paramount importance in the pantheon of automotive history. Unveiled in 1966, and positioned above the 400 GT as LamborghiniÂ’s range-topping model, the Miura may as well have landed from a far, unexplored corner of the galaxy. It stretched about 172 inches long, 69 inches wide, and merely 41.5 inches tall, dimensions that gave it proportions more closely aligned with todayÂ’s definition of a supercar than with the crop of GTs whizzing by in the left lane of the Italian autostrada in the 1960s. I canÂ’t say that the Miura broke with tradition, Lamborghini didnÂ’t have much in the way of tradition three short years after its gutsy inception, but it looked nothing like the 400 GT. Highly respected Italian designer Marcello Gandini penned the Miura while working for Bertone. Its Fiat 850 Spider-sourced headlights were mounted nearly flat, its door handles were integrated into a column of fins, and its roof line peaked above the seats before flowing into a Kammback-like rear end. Mamma mia! It may look humble parked next to an Aventador, but its design was revolutionary in the 1960s. Equally revolutionary was the technical layout. While the 400 GT — and most high-end GTs sold during this era — were fitted with a front-mounted engine, the MiuraÂ’s 3.9-liter V12 was positioned directly behind the passenger compartment. Odder still, it was mounted transversally. Some historians claim that the inspiration for this arrangement was the original Mini, which stretched just 120 inches long thanks in part to a transverse-mounted engine. The MiniÂ’s role in shaping the Miura has never been proven, but whatÂ’s certain is moving the engine back and turning it 90 degrees changed LamborghiniÂ’s history. More than simply a new model for what was then a small, obscure company, the Miura became nearly a deity in the automotive stratosphere. It blazed the course that dozens of supercars have followed since. Rejigging the proportions required rearranging the interior.