1973 Mercury Cougar With Eliminator Package(cloned)only 69k Miles Burnt Orange on 2040-cars
Cross Plains, Tennessee, United States
Body Type:2 door coupe
Vehicle Title:Clear
Engine:351 Cleveland
Fuel Type:gas
For Sale By:owner
Make: Mercury
Model: Cougar
Drive Type: Automatic
Mileage: 69,000
Number of Doors: 2
Exterior Color: burnt orange
Warranty: Vehicle does NOT have an existing warranty
Interior Color: Black
Trim: Eliminator package cloned
Number of Cylinders: 8
1973 Mercury Cougar with the Eliminator Package (cloned). Has the most desirable color in factory "burnt orange". Screams 1970's. Clone Eliminator package in black. 69000 original miles. Excellent condition overall. A very nice driver. Original 351 Cleveland . Recent Edelbrock carb. Dual exhaust added at one point. Very loud and proud. The car was repainted the original factory color at one point, a decent paint job. Still bright but with minor hazing in a couple of places. Excellent original top with no snags or tears. This car was and is not a rusty car anywhere. The interior is overall excellent, only needing a drivers door panel to eliminate a five inch crack and a one inch crack. Dash is perfect. Original radio not in car. I have extra material for the interior. Has AC, appears to work but not ice cold. Needs nothing but detailed. Seen recently by a mechanic who works on vintage cars and he was impressed with how clean underneath the car has remained. Has new master cylinder and new aluminum radiator. If you are picky you may want to put new wheels on it as they are pitted in some places and not original to the car. Tires are matching Kellys all the way around. Open to partial trade for a snowmobile, snowmobile trailer or celebrity music memorabilia. This car has been used in a couple films and a new CMT TV series. A very solid car. You can call me at 615 504 1512 for walk around details.
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Auto blog
Watch as an out-of-control car demolishes gas pump
Tue, May 2 2017A Baltimore area man was fighting for his life Tuesday after crashing his car into a gas station. According to WBAL, the unidentified 64-year-old lost control of his vehicle for unknown reasons around 4:55 a.m. May 1 in Parkville, Md. The 2007 Mercury Milan careened downhill, ramped over a curb, and smashed full-speed into a gas station pump. The car then flipped and came to rest against one of the station's canopy support pillars. Don Karbowniczek, owner of a service station across the street, told WBAL he was shocked there wasn't more damage. It's also surprising that the car even made it to the pumps, as it had to thread past a coin-op vacuum machine, the station's sign, a utility pole, and a traffic light pole. "It came right through, took some of our bushes out, just trimmed them for us, and how it got through and flip the way it did, I don't know. From what I see on the marks, it had to go airborne and just come down on the pump," Karbowniczek said. Thankfully there was no fire or explosion. Gas pumps have shear valves - safety devices that immediately cut the flow of gasoline when a pump is damaged. The driver was rushed to a hospital with life-threatening injuries, and was in critical condition. Police theorized the driver may have become stricken with a health issue when he lost control. Related Video: News Source: WBAL Auto News Mercury maryland gas station
Car Stories: Owning the SHO station wagon that could've been
Fri, Oct 30 2015A little over a year ago, I bought what could be the most interesting car I will ever own. It was a 1987 Mercury Sable LS station wagon. Don't worry – there's much more to this story. I've always had a soft spot for wagons, and I still remember just how revolutionary the Ford Taurus and Mercury Sable were back in the mid-1980s. As a teenager, I fell especially hard for the 220-horsepower 1989 Ford Taurus SHO – so much so that I'd go on to own a dozen over the next 20 years. And like many other quirky enthusiasts, I always wondered what a SHO station wagon would be like. That changed last year when I bought the aforementioned Sable LS wagon, festooned with the high-revving DOHC 3.0-liter V6 engine and five-speed manual transmission from a 1989 Taurus SHO. In addition, the wagon had SHO front seats, a SHO center console, and the 140-mph instrument cluster with mileage that matched the engine. When I bought it, that number was just under 60,000 – barely broken in for the overachieving Yamaha-sourced mill. The engine and transmission weren't the only upgrades. It wore dual-piston PBR brakes with the choice Eibach/Tokico suspension combo in front. The rear featured SHO disc brakes with MOOG cargo coils and Tokico shocks, resulting in a wagon that handled ridiculously well while still retaining a decent level of comfort and five-door functionality. I could attack the local switchbacks while rowing gears to a 7,000-rpm soundtrack just as easily as loading up on lumber at the hardware store. Over time I added a front tower brace to stiffen things a bit as well as a bigger, 73-mm mass airflow sensor for better breathing, and I sourced some inexpensive 2004 Taurus 16-inch five-spoke wheels, refinished in gunmetal to match the two-tone white/gunmetal finish on the car. That, along with some minor paint and body work, had me winning trophies at every car show in town. And yet, what I loved most about the car wasn't its looks or performance, but rather its history. And here's where things also get a little philosophical, because I absolutely, positively love old used cars. Don't get me wrong – new cars are great. Designers can sculpt a timeless automotive shape, and engineers can construct systems and subsystems to create an exquisite chassis with superb handling and plenty of horsepower. But it's the age and mileage that turn machines into something more than the sum of their parts.
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When Mays took over as lead of design in 1997, he admits to having quite an ego ("My head would barely fit through the door some days. I've long since gotten over myself") and the workload to match. With the Blue Oval's portfolio full of premium brands like Aston Martin, Jaguar, Land Rover and Volvo at that point, along with the bread-and-butter Ford, Lincoln and Mercury models, Mays certainly had quite the challenge.
It was in the mid-2000s that Mays took over just the premium brands, and took on the new title of Chief Creative Officer. At the time, Mays endured some criticism for looking backwards to retro styling, rather than setting a new standard for American car design - criticism that Mays says he is free from with the all-new Fusion.