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Lamborghini finds and restores the Miura used in 'The Italian Job' movie

Today is a historic day for fans of the film "The Italian Job." Lamborghini just announced it has found and completely restored the original Lamborghini Miura P400 used in the film's opening scene. And no, this one was never ceremoniously dumped off the side of a mountain and into a ravine. That was a second, different Miura that Lamborghini provided Paramount Pictures with — it had already been crashed, so was considered a perfect donor car for the scene. Of course, even a crashed Miura is worth some serious cash these days. The orange Miura in question here is #3586, and is verified as the one driven by actor Rossano Brazzi (playing Roger Beckermann in the film) and stunt driver Enzo Moruzzi on the Great St Bernard Pass. We'll put the video right here for you, since those who haven't seen it need to, and those who have most certainly want to watch it again now. This content is hosted by a third party. To view it, please update your privacy preferences. Manage Settings. Lamborghini's in-house restoration unit, Polo Storico, did all the work to certify and restore the Miura. It's been a long-time coming, too — this Miura has been off the map since the filming ended and Lamborghini sold the film car to someone in Italy. The car was found in The Kaiser Collection of Vaduz, which happens to be in Liechtenstein. Lamborghini is certain this is the right one after looking at the documentation, company archives and a full examination of the car itself. Testimonials from enthusiasts and former Lamborghini employees further solidified the belief that this was the movie car. The only difference you'll notice between this fully restored Miura and the movie scene is the color of the seats. Lamborghini swapped out the white seats for black ones, as they were worried the white seats wouldn't make it back to the factory in perfect condition. However, there was no time to swap the headrests (mounted to the dividing glass) for black ones to match the seats, which you'll notice in the movie scene. We know we'll have "On Days Like These" running through our heads for the rest of the day on account of this incredible find. Thankfully, Lamborghini provided a bunch of photos to look at the car post-restoration, so go check them all out above as you race to your VCRs to watch the film once more.

Lamborghini designers channel brand's past to keep supercars fresh

Lamborghini design boss Mitja Borkert smiles as he sums up the brand's design language with an anecdote. "I bought a 1/18-scale Countach in Frankfurt, and I put it in my carry-on suitcase. One of the guys at the security screening asked 'what's that?' His colleague looked at the screen and immediately said "it's a Lamborghini!" Borkert points out the unmistakable silhouette is a major part of what defines a Lamborghini. He gives Marcello Gandini credit for the styling cue. The talented Italian designer penned a long list of emblematic sports cars, including the Miura, the Countach, and the Lancia Stratos. For Borkert, the Gandini line is deeply-rooted and permanent. However, he doesn't feel the least bit constrained by it. "First of all, for me this line is written in stone. It will remain in the next 100 years, regardless of what technology we will have. I'm very sure of it. Of course, we always have to find an interpretation of that line for specific projects. When we created the Urus, we also wanted to use the line but we had to interpret it in a way that worked for that specific architecture. How we did that you will see in the future. "The Huracan has one interpretation of the Gandini line. The Aventador is longer so we had to stretch it. You can set a lot of tension in that line, you can give it a bit more wedge. In the Centenario the rear is a little bit lower, for example. "So, for me, this is the component we have to keep. Then, there are the design themes like doors, fenders, and what we are doing with the front and rear. That's when we apply the motto 'expect the unexpected.' We are always challenging ourselves, and always looking for something new." The first step of the design process is to get the proportions exactly right. "If the main proportions aren't right, you will never be able to catch up with the design," he notes. And while most people assume modern-day designers start sketching on advanced CAD software, a Lamborghini still comes to life the old-fashioned way: with a pencil and a sheet of paper. Once the proportions are locked in, Borkert and his team of young, spirited designers begin adding secondary styling cues like character lines, angles, and creases. The last part of the process is when designers pencil in the final details such as vents, moldings, emblems, and miscellaneous trim pieces. Heritage plays a large role there, too. The hexagon is another one of the defining features that characterize a Lamborghini.

2024 Lamborghini Revuelto First Drive: Wildly different, still wild

ROME – While some companies make comprehensive updates to an older model and market it as a new car, Lamborghini detoured this avenue when it began developing a successor to the Aventador. New from the ground up, the Revuelto stands out both as the brandÂ’s flagship and as its first series-produced plug-in hybrid. It has a lot to live up to – its predecessors notably include the Miura and the Countach – and it has a lot to prove because its drivetrain opens a path that the entire range will take in the coming years. From a visual perspective, the Revuelto looks like a logical evolution of the Aventador. ItÂ’s about 3 inches longer but its overall proportions havenÂ’t significantly changed; itÂ’s instantly recognizable as a Lamborghini. ThereÂ’s a lot more going on than initially meets the eye. Mitja Borkert, the brandÂ’s head of design, told me that the inspiration for the recessed headlights came from the world of motorcycles. The high-mounted dual exhaust tips migrated from two-wheeler planet as well (Borkert is an avid rider), while the carbon fiber engine cover is open to show off the V12. The bodyÂ’s lines also arenÂ’t as straight-cut as the AventadorÂ’s. Nothing about the design screams “this is a hybrid!” — that was intentional. “For me, it doesnÂ’t make sense to design a combustion car, a diesel car, or an [electric] car in a different way,” Borkert explained. At the end of the day, the Revuelto is a hybrid car but weÂ’re not emphasizing the hybrid part of it. WeÂ’re emphasizing the engine, which represents the full powertrain,” he added. From a technical perspective, however, the Revuelto is pegged lightyears away from the supercars you had posters of on your bedroom wall if you grew up in the 1990s. Even the Aventador, which entered production in 2011, is comparatively simple: Remove the body and youÂ’ll find a big, naturally-aspirated V12 engine, a transmission located in the tunnel named after it, and a great deal of carbon fiber bits. Going hybrid forced Lamborghini to make several significant changes. Power comes from a new, dry-sump 6.5-liter V12 that remains naturally-aspirated, which is remarkable in an era when enthusiasts are being force-fed a stew of downsizing and forced induction. Using anything else was ruled out.