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London police joyride in Lamborghini Huracan

A pair of Metropolitan London police officers are in hot water after they questionably impounded a Lamborghini Huracan earlier this summer. Oh, and they took it for a joyride. The stop, pictured above, occurred on June 2. The Huracan belongs to a rental car company was pulled over for having no insurance near Heathrow Airport. In Britain, police use a national database to run license plates to see if a car is insured. London-based City Supercars had recently updated the insurance on the $260,000-Lambo. However, there was a lag before the information was uploaded to the database. When manager Erwyn Mackee tried to explain the situation on the phone, the police weren't interested. "The officer was just being unreasonable and out of hand on the phone to me, and I was just trying to explain the facts calmly. He was just off his head, completely bonkers - it was very frustrating," Mackee told the Telegraph. So the Lambo was seized. But police decided to have a little fun with the car before sending it to an impound lot. Mackee checked the traffic-tracking software in the Huracan and found that officers were having a blast with their new prize. At one point, they hit 63 miles per hour in a 30-mph zone. Mackee called Met police out on Twitter. This content is hosted by a third party. To view it, please update your privacy preferences. Manage Settings. Mackee, who is also a lawyer, told the Telegraph that the problem has been resolved amicably. Scotland Yard was embarrassed by the incident and punished the officers involved. One officer received three points on his license while the other was subject to management action. Related Video:

One-off Lamborghini Revuelto Opera Unica took 435 hours to paint

Lamborghini turned the Revuelto, its new flagship model, into a one-off art car to celebrate its 60th birthday. Unveiled ahead of its public debut at the 2023 Art Basel show in Miami Beach, Florida, the 1,001-horsepower coupe named Opera Unica was designed in-house. Beyond commemorating 60 years of Lamborghini's V12-powered cars, the Opera Unica showcases what the brand's Ad Personam team is capable of. It was painted entirely by hand. The front end is finished in a color called Viola Pasifae, and the livery gradually fades into a shade of black called Nero Helene. That's just the base layer; Lamborghini then added blue, red, and orange accents to emphasize speed. Getting it perfect was more difficult than it might sound. Lamborghini notes that the livery required 76 hours of development and testing plus around 435 hours (that's over 18 days!) to apply. The finish touch is a 60th Anniversary logo on the hood that's only visible in the right light. That's just the exterior; the interior took 220 additional hours to complete. It's characterized by two-tone Nero Ade and Viola Acutus leather upholstery to echo the paint job's base layer and the 60th Anniversary logo embroidered into the seats and door panels. The color of the thread used matches the color of the brush strokes applied to the exterior. This color combination appears on the start button cover as well. "We wanted to create something purely artistic using brushes and a combination of colors, as if the Revuelto was a canvas. This is what fueled our inspiration for this special livery," summed up Mitja Borkert, the head of Lamborghini's design department, in a statement. It's business as usual under the body, meaning power for the Opera Unica comes from a gasoline-electric plug-in hybrid drivetrain built around a new, 6.5-liter V12. Crucially, the engine is naturally aspirated; Lamborghini resisted the urge to downsize and add turbos. The system also includes three electric motors and a 3.8-kilowatt-hour lithium-ion battery pack. Its output checks in at 1,001 horsepower and 793 pound-feet of torque, which is enough for a manufacturer-claimed zero-to-62-mph time of 2.5 seconds and a top speed of over 217 mph. Lamborghini hasn't revealed what the future holds for the Opera Unica. It could end up in the company's museum in Sant'Agata Bolognese, Italy, or it might find its way into private hands. Either way, you'll know it when you see it: this is the kind of one-off car you can't miss.

A car writer's year in new vehicles [w/video]

Christmas is only a week away. The New Year is just around the corner. As 2014 draws to a close, I'm not the only one taking stock of the year that's we're almost shut of. Depending on who you are or what you do, the end of the year can bring to mind tax bills, school semesters or scheduling dental appointments. For me, for the last eight or nine years, at least a small part of this transitory time is occupied with recalling the cars I've driven over the preceding 12 months. Since I started writing about and reviewing cars in 2006, I've done an uneven job of tracking every vehicle I've been in, each year. Last year I made a resolution to be better about it, and the result is a spreadsheet with model names, dates, notes and some basic facts and figures. Armed with this basic data and a yen for year-end stories, I figured it would be interesting to parse the figures and quantify my year in cars in a way I'd never done before. The results are, well, they're a little bizarre, honestly. And I think they'll affect how I approach this gig in 2015. {C} My tally for the year is 68 cars, as of this writing. Before the calendar flips to 2015 it'll be as high as 73. Let me give you a tiny bit of background about how automotive journalists typically get cars to test. There are basically two pools of vehicles I drive on a regular basis: media fleet vehicles and those available on "first drive" programs. The latter group is pretty self-explanatory. Journalists are gathered in one location (sometimes local, sometimes far-flung) with a new model(s), there's usually a day of driving, then we report back to you with our impressions. Media fleet vehicles are different. These are distributed to publications and individual journalists far and wide, and the test period goes from a few days to a week or more. Whereas first drives almost always result in a piece of review content, fleet loans only sometimes do. Other times they serve to give context about brands, segments, technology and the like, to editors and writers. So, adding up the loans I've had out of the press fleet and things I've driven at events, my tally for the year is 68 cars, as of this writing. Before the calendar flips to 2015, it'll be as high as 73. At one of the buff books like Car and Driver or Motor Trend, reviewers might rotate through five cars a week, or more. I know that number sounds high, but as best I can tell, it's pretty average for the full-time professionals in this business.