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1973 Citroen Sm on 2040-cars

US $10,000.00
Year:1973 Mileage:89000 Color: Blue /
 Tan
Location:

Advertising:
Body Type:Coupe
Transmission:Automatic
Fuel Type:Gasoline
For Sale By:Private Seller
Vehicle Title:Clean
Engine:3.0 MASERATI
Year: 1973
VIN (Vehicle Identification Number): 00SD0689
Mileage: 89000
Make: Citroen
Interior Color: Tan
Number of Seats: 4
Number of Previous Owners: 1
Number of Cylinders: 6
Drive Side: Left-Hand Drive
Model: SM
Exterior Color: Blue
Car Type: Classic Cars
Number of Doors: 2
Condition: Used: A vehicle is considered used if it has been registered and issued a title. Used vehicles have had at least one previous owner. The condition of the exterior, interior and engine can vary depending on the vehicle's history. See the seller's listing for full details and description of any imperfections. See all condition definitions

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Lotus could be sold to Chinese automaker Geely

Mon, Feb 20 2017

Two things are constant throughout the history of Lotus Cars: amazing vehicles, and financial struggles. Frequent changes in both ownership and leadership have left the company's future up in the air. And while the new management has improved quality and set a new product plan in place, its seems that Lotus could have a new parent company soon. Despite comments to the contrary, Chinese automaker Geely is rumored to be interested in acquiring Lotus Cars. The British automaker has been owned by Proton since 1996, but after Proton was sold to DRB-Hicom in 2012 investors suggested selling off Lotus. The Star Online reports that PSA in France is rumored to be looking at purchasing Proton cars from DRB-Hicom. In turn, Geely, the parent company of Volvo, is interested in purchasing Lotus from Proton. The report states that Geely has no interest in mass-market vehicles from Proton, while crossover-focus PSA, owner of Peugeot and Citroen, has no interest in a sports car manufacturer like Lotus. China has been encouraging its native automakers to purchase and acquire technology it lacks. Buying Lotus looks like it would benefit both companies. Lotus needs an influx of cash while Geely, looking to compete further on the global stage, would gain a great deal of technical and engineering knowledge from Lotus. Geely's stewardship of Volvo has been mostly hands-off, while giving the Swedish company enough money to invest in new platforms and technologies. If the same were to happen to Lotus, Colin Chapman's company could have its best years ahead of it. Related Video: News Source: The Star Online via Car BuzzImage Credit: Getty Rumormill Lotus Volvo Citroen Peugeot Lightweight Vehicles Performance Supercars Geely

Citro?n C4 Cactus is the ultra-light, ultra-efficient hatch we want [w/video]

Wed, 05 Mar 2014

We've already told you all about the Citroën C4 Cactus when the production version was unveiled early last month, discussing its ultra-low curb weight and fuel efficient line of powertrains. Now, we've scoped it out on the floor of the Geneva Motor Show.
What's immediately noticeable is that the C4 Cactus is not a particularly large car, despite fairly spacious back and front seats. It's rather tall, which we imagine could impact the handling, although at just over 2,100 pounds (965 kilograms... no kidding), it could be as tall as the Eiffel Tower and still handle well. As we mentioned, that low curb weight shouldn't just help with the way the C4 handles, but in terms of fuel economy, which is rated at a whopping 91.1 miles per gallon on the European cycle.
The interior, meanwhile, is an interesting place. The clean dash is really only interrupted by the central touchscreen and the slim instrument cluster. It's refreshing, at least when looked at alongside more heavily styled interiors.

Mullin Museum closing after 14 years showcasing amazing vehicles

Mon, Jan 29 2024

More sad news to start the year is that the Mullin Automotive Museum in Oxnard, California, is closing in two weeks. Founder Peter Merlin opened the museum in 2010 with a mission "to educate guests about 20th-century French automotive styling and design." This was done beautifully — literally and figuratively — with a focus on vehicles spanning from the Brass Era (1896-1915) to the early postwar period, some taken from Peter Mullins' personal collection. The heavy focus was on French automakers during the interwar period, Art Deco to the Machine Age (1918-1941), namely, Bugatti, Delage, Delahaye, Talbot-Lago, and Voisin, supported with automobilia, sculpture, a theater, and archives.    A lot of enthusiasts might not be familiar with the museum, but the fingerprints of founder Peter Mullin and wife Merle can be found throughout the car world. Peter, who died last September, had amassed the world's largest private collection of Bugattis. Back when a $40 million vehicle sale was enough to be crowned a record sum, Mullin opened his museum with the display of the record-breaking 1936 Bugatti 57SC Atlantic, on loan from the purchaser. He won Best in Show at the 2011 Pebble Beach Concours d'Elegance with his own 1934 Voisin C-25 Aerodyne. The museum put on the shows you'd expect of a private Bugatti collector, like Art of Bugatti in 2014; shows you'd expect of a Francophile institution, like "Citroen: The Man, The Marque, The Mystique" in 2017; and surprises like last year's "ArTexture" exhibit of fine art and tapestries by artist Keith Collins. And he was one of the founding board members of the Petersen Automotive Museum, helping the museum through the renovation that turned it into one of the coolest car spots in LA.     Speaking of which, four of Mullins' personal rides will go on permanent display at the Petersen: a 1937 Talbot-Lago T150 CS “Teardrop,” a 1938 Delahaye 145, a 1938 Hispano Suiza H6B Dubonnet Xenia, and a 1939 Delahaye 165. The museum is only open on Saturdays and Sundays, its last day open being Saturday, February 10 — leaving three more visits for anyone who can make it. Said Merle, who continued keep sharing the collection at shows from Amelia Island to Villa d'Este during Peter's illness, wrote in a statement on the closing, "Sharing these ‘rolling sculpturesÂ’ and beautiful art with others was PeterÂ’s truest passion, and the museum helped bring that vision to life.