Ground-pounding 2008 Bugatti Veyron 16.4 (base) on 2040-cars

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Bugatti SUV: Call it what you will, it's waiting for a green light

Three years ago, then-Bugatti CEO Wolfgan Durheimer said the hyper-indulgent brand was looking at four different bodystyles for a second model line. He wouldn't identify the styles, but they were thought to be a sedan like the 2009 Galibier concept or 2+2 GT, a less extraterrestrial supercar, an electric car, and an SUV. Some rumors of late suggest plans for a "Royale electric limousine" are in the pipeline. Before that, though, Car magazine says "a crossover-influenced sports car" is only waiting for sign-off from Volkswagen Group execs. As far as we can tell, the phrase "crossover-influenced sports car" is a way to escape calling this reported product an SUV. Remember, brand CEO Stephan Winkelmann said in January that "There will be no SUV from Bugatti" because it didn't fit the Molsheim automaker's heritage and disposition. There could be shades of Italianate wrangling between a boutique brand and a parent company going on here. When ex-Ferrari CEO Luca de Montezemolo said the brand would never build an SUV, he was soon overruled by parent-company CEO Sergio Marchionne. That's how we'll get the Purosangue next year, which the Modena sports car maker calls an FAV, for Ferrari Activity Vehicle. So Luca, with help from the marketing team, was technically correct. Point being that when discussing the shape of the next model, Winkelmann explained needing to balance investment with return, and said, "it's not me to decide." If said proposal gets the green light, it "won't be a traditional SUV." The picture painted is of something like a two-door Lamborghini Urus with a higher seating position, much faster bodywork, and much less weight. Underneath would be a Bugatti platform not shared with the rest of the group. Instead of the 641 horsepower kicked out by the 4.0-liter twin-turbo V8 in the Urus, the report says Bugatti would inject some sort of electrical assistance to achieve 1,000 hp. Winkelmann is known to be against a hybrid powertrain for the eventual Chiron successor because of the weight and space penalties, but a crossover-like sports car would alleviate those concerns. The form factor would also achieve the more livable brief Bugatti's been talking about for ages, and address global emissions issues such as EV-only zones being proposed in cities around the world. The model would sit "below the Chiron but on top of every other model," and cost less than the $3 million Chiron. Production is said to be capped at 800 units per year.

Topiary Joe sculpts the ultimate in green cars

Efficient cars are all the rage these days, but Joe Kyte has made a business of crafting some of the coolest green cars around – literally. Kyte is better known by his nickname Topiary Joe, and in addition to being a talented artist, he is also a real gearhead. Kyte has been creating topiaries for the last 20 years. It began when he was marketing greenhouse products to Walt Disney World and saw their plant sculptures. He realized that he could do that and since then, has done around 3,400 pieces. His most intriguing creations are the rolling sculptures that move and turn. Prices for those start at about $18,000 and can be as high as $30,000. While, the wheels are machine-bent, Kyte said all the other parts are done with a table vice and a Lincoln Electric arc welder. Topiary Joe is taking the Porsche (pictured above) to Palm Beach later this year to sell or says he may donate it to Porsche North America. If you really want it, the sculpture is currently on Craigslist for sale for $24,000. Topiary Joe has also had a life-long love of cars. "I was driving my first MG Midget before I was 14," he told Autoblog. He grew up in Oak Ridge, TN, where the Manhattan Project was partially developed. He says the town was full of recent college grads driving Mercedes, and he caught the bug. His automotive mentor was a nuclear physicist who taught him to repair and restore the Mercs. Kyte has completed commissions for Sandals Resort, Dreamworks, Absolut, and many more. Among his favorite creations is the Ferrari that he created at the Abu Dhabi Grand Prix that is now exhibited at the airport each year before the race. Check out his website for a wider look at his work.

Out with the clay, in with the VR: Bugatti's design studio is all digital

Bugatti recently unveiled three limited-edition, multi-million-dollar Chiron derivatives in less than a year, a Herculean task for such a small company. Achim Anscheidt, the head of the firm's design department, told Autoblog maintaining this pace wouldn't have been possible without the use of virtual reality technology. "We have the feeling we don't need clay anymore. With VR, we can do everything on the spot. We can sit next to each other and talk about the car, we can change the wheels, change the color, and sometimes make modifications on the spot," he explained. In comparison, using clay has several disadvantages. It's more difficult to tell how sunlight reflects off the body, for example. It's also more expensive and far more time consuming. "It's only through [VR] that we had the chance to develop the Divo, the La Voiture Noire and the Centodieci in such a rapid amount of time," he affirmed. The team in charge of designing the EB110-inspired Centodieci notably began the project about six months before the car made its public debut at the 2019 edition of the ritzy, champagne-soaked Pebble Beach Concours d'Elegance held on California's picturesque Pacific coast. While VR isn't new, the technology wasn't advanced enough to replace clay in a styling studio until about 2016. Anscheidt hasn't looked back; going all-digital reduced the amount of time it takes to design a car by about 40%. This isn't a case of robots replacing humans, either. Bugatti still needs talented designers, and the number of people it assigns to each project hasn't drastically changed, but they now work differently than in the past. View 40 Photos And, the widespread use of VR in Bugatti's design department doesn't mean its cars are no longer drawn by hand. Anscheidt explained every project still starts with a series of sketches that allow designers to explore different directions and identify the one they want to take the car-to-be in. Here again, digitalization plays a substantial role. Early sketches are sometimes done on a tablet rather than on a piece of paper. "Of course, when [deputy design director] Frank Heyl and I go to lunch, we still sketch on napkins," he said with a smile. Knowing how to use 3D-modeling and VR is only one of the skills Anscheidt looks for when hiring new designers.