2006 Bugatti 16.4 on 2040-cars

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The Bugatti EB110 showed the way for future hypercars

For well over a decade, the Bugatti EB110 remained almost as unknown as if it had never existed. Bugatti closed its doors for the second time in 1995, so the EB110 spent the rest of the 1990s at the top of an empire found only in history books. With no direct successor to pass its torch to, the wedge-shaped coupe once celebrated by Michael Schumacher as the supercar to tame them all faded from the car world’s collective memory, even though some of the records it set remained unbroken. Its star began to rise again during the 2010s thanks to 1990s nostalgia, or because enthusiasts realized 21st-century Bugatti models owe more to the EB110 than to the pre-WWII Type 57. Either way, itÂ’s finally accepted as an influential part of the Bugatti story. Its unusualness adds to its mystique; it was manufactured in FerrariÂ’s sun-dried back yard, yet it propelled the French company into the modern era. Italian entrepreneur Romano Artioli knew the automotive industry well before he purchased the rights to the Bugatti name in 1987. He had built his vantage point on decades of experience. He owned one of the first Opel dealerships in Italy, he later became the countryÂ’s official General Motors importer, and he also distributed cars for Ferrari, among other automakers. He enlisted some of the most respected engineers and designers to help him relaunch Bugatti while honoring its tradition, but he made one significant exception. BugattiÂ’s roots are in France, in a picturesque small town near the border with Germany named Molsheim. Alsace is better known for sauerkraut than supercars, so he decided to base the born-again automaker in a town called Campogalliano located on the outskirts of Modena, Italy. Setting up shop a stoneÂ’s throw from the headquarters of Ferrari, Lamborghini, Maserati, and De Tomaso allowed him to tap into the Motor ValleyÂ’s deep pool of suppliers and workers well-versed in high-end cars as he assembled the pieces needed to create the first new Bugatti since 1956. Right away, Artioli wisely decided to begin the project with a blank slate instead of borrowing a chassis, an engine, or both from another company. He felt Bugatti needed to be an automaker, not a coachbuilder or a purveyor of kit cars. Early EB110 prototypes were built on an aluminum chassis, and they wore a body designed by Marcello Gandini of Bertone fame. When Gandini spoke, everyone listened and no one dared to contradict him.

Watch VW Group Night kick off the Frankfurt festivities

The Frankfurt Motor Show is Volkswagen's home affair. As a result, the whole of the automaker group makes a big splash, even before the show doors open. We'll be live from the Frankfurt floor starting early tomorrow morning, but tonight we're posted up in the stands at the always-entertaining Volkswagen Group Night. To give you a taste of what it's like to be there, we're going to be shooting some man-on-the-scenes video as the night progresses. Below you'll find videos of all the best that VW Group brands – Audi, Lamborghini, VW, the lot – have to offer, as quick as we can upload them. So, enjoy the Short Cut Videos you see here. And stay tuned as we add more to the tally, below. And, of course, be sure to check in on Autoblog early and often tomorrow, when we bring you official debuts of new production vehicles and concept cars, a ton of new video content, live image galleries, and lots more.Seat Leon Cross Sport Bentley Bentayga Lamborghini Huracan LP 610-4 Spyder Volkswagen Multivan PanAmerican Edition Bugatti Vision Gran Turismo Concept Audi E-Tron Quattro Concept Audi A4 Ducati Monster 1200 R Volkswagen Tiguan Skoda Superb Combi Porsche 911 Carrera S Coupe and Cabrio Volkswagen Tiguan GTE Porsche Mission E Concept Volkswagen Group Night Finale Green Frankfurt Motor Show Audi Bentley Bugatti Lamborghini Volkswagen SEAT Skoda Videos Original Video Frankfurt 2015

Out with the clay, in with the VR: Bugatti's design studio is all digital

Bugatti recently unveiled three limited-edition, multi-million-dollar Chiron derivatives in less than a year, a Herculean task for such a small company. Achim Anscheidt, the head of the firm's design department, told Autoblog maintaining this pace wouldn't have been possible without the use of virtual reality technology. "We have the feeling we don't need clay anymore. With VR, we can do everything on the spot. We can sit next to each other and talk about the car, we can change the wheels, change the color, and sometimes make modifications on the spot," he explained. In comparison, using clay has several disadvantages. It's more difficult to tell how sunlight reflects off the body, for example. It's also more expensive and far more time consuming. "It's only through [VR] that we had the chance to develop the Divo, the La Voiture Noire and the Centodieci in such a rapid amount of time," he affirmed. The team in charge of designing the EB110-inspired Centodieci notably began the project about six months before the car made its public debut at the 2019 edition of the ritzy, champagne-soaked Pebble Beach Concours d'Elegance held on California's picturesque Pacific coast. While VR isn't new, the technology wasn't advanced enough to replace clay in a styling studio until about 2016. Anscheidt hasn't looked back; going all-digital reduced the amount of time it takes to design a car by about 40%. This isn't a case of robots replacing humans, either. Bugatti still needs talented designers, and the number of people it assigns to each project hasn't drastically changed, but they now work differently than in the past. View 40 Photos And, the widespread use of VR in Bugatti's design department doesn't mean its cars are no longer drawn by hand. Anscheidt explained every project still starts with a series of sketches that allow designers to explore different directions and identify the one they want to take the car-to-be in. Here again, digitalization plays a substantial role. Early sketches are sometimes done on a tablet rather than on a piece of paper. "Of course, when [deputy design director] Frank Heyl and I go to lunch, we still sketch on napkins," he said with a smile. Knowing how to use 3D-modeling and VR is only one of the skills Anscheidt looks for when hiring new designers.