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Hand-made, magnesium-bodied 1934 Bugatti Aerolithe visits Jay Leno's Garage

Rare, multi-million-dollar cars regularly cruise through Jay Leno's garage, but some of the vehicles that pay him visits are more special than others. The 1934 Bugatti Aerolithe that Leno recently dedicated an episode to is the kind of machine that punctures the membrane separating cars and art. The Aerolithe was designed by Jean Bugatti, the son of company founder Ettore, and its body was crafted entirely out of a magnesium alloy named Elektron in an effort to keep weight in check. As Leno points out, Elektron is spectacularly difficult to work with because it's hard to shape, and it has an alarming tendency to catch fire. That's why more than 1,200 exposed rivets helped keep the Aerolithe in one piece as it toured Europe in search of buyers. Period records indicate potential owners admired the performance delivered by the 3.3-liter straight-eight engine - the Aerolithe could reach nearly 110 mph - but not enough to buy one. While it remained a one-off model, it inspired Bugatti to make the cheaper, heavier Type 57 Atlantic with an aluminum body. The two cars looked a lot alike. The Aerolithe mysteriously disappeared before the beginning of World War II. Some sources believe it was parted out at the Bugatti factory in Molsheim, France, while others claim it was hidden and never taken out of storage. Regardless, its whereabouts remain unknown as of 2019. The example Leno tours Los Angeles in is a reproduction painstakingly made from the ground up by the Guild of Automotive Restorers in Canada. David Grainer, the Guild's founder, remembers the members of his team spent nearly a year figuring out how to recreate the Aerolithe before they started the project. They wanted to keep it as original as possible, so they used sheets of magnesium purchased for $3,000 a piece to make the body. Building a car from scratch (and by hand) is a challenging endeavor, but the Aerolithe project was even more complicated that it sounds because Grainer's team had only nine usable photographs to work with. Blueprints were lost long ago. Watch the full episode to learn more about the Aerolithe's history, and to find out what it's like to drive. For a look at a different side of Bugatti during the 1930s, read our story documenting the electric Type 56 that Ettore made in 1931 to drive around his property. Auto News Bugatti Classics

The Bugatti EB110 showed the way for future hypercars

For well over a decade, the Bugatti EB110 remained almost as unknown as if it had never existed. Bugatti closed its doors for the second time in 1995, so the EB110 spent the rest of the 1990s at the top of an empire found only in history books. With no direct successor to pass its torch to, the wedge-shaped coupe once celebrated by Michael Schumacher as the supercar to tame them all faded from the car world’s collective memory, even though some of the records it set remained unbroken. Its star began to rise again during the 2010s thanks to 1990s nostalgia, or because enthusiasts realized 21st-century Bugatti models owe more to the EB110 than to the pre-WWII Type 57. Either way, itÂ’s finally accepted as an influential part of the Bugatti story. Its unusualness adds to its mystique; it was manufactured in FerrariÂ’s sun-dried back yard, yet it propelled the French company into the modern era. Italian entrepreneur Romano Artioli knew the automotive industry well before he purchased the rights to the Bugatti name in 1987. He had built his vantage point on decades of experience. He owned one of the first Opel dealerships in Italy, he later became the countryÂ’s official General Motors importer, and he also distributed cars for Ferrari, among other automakers. He enlisted some of the most respected engineers and designers to help him relaunch Bugatti while honoring its tradition, but he made one significant exception. BugattiÂ’s roots are in France, in a picturesque small town near the border with Germany named Molsheim. Alsace is better known for sauerkraut than supercars, so he decided to base the born-again automaker in a town called Campogalliano located on the outskirts of Modena, Italy. Setting up shop a stoneÂ’s throw from the headquarters of Ferrari, Lamborghini, Maserati, and De Tomaso allowed him to tap into the Motor ValleyÂ’s deep pool of suppliers and workers well-versed in high-end cars as he assembled the pieces needed to create the first new Bugatti since 1956. Right away, Artioli wisely decided to begin the project with a blank slate instead of borrowing a chassis, an engine, or both from another company. He felt Bugatti needed to be an automaker, not a coachbuilder or a purveyor of kit cars. Early EB110 prototypes were built on an aluminum chassis, and they wore a body designed by Marcello Gandini of Bertone fame. When Gandini spoke, everyone listened and no one dared to contradict him.

Original Bugatti Veyron concept to be displayed for first time since 1999

With all of the special editions and differing variants of the Bugatti Veyron being produced year after year, perhaps now is a good time to reflect back on the machine that started it all. Bugatti has announced that it will put the original EB 18/4 Veyron design study on display at the Salon Rétromobile in Paris. This is the first time the concept car will be publicly shown since it debuted at the 1999 Tokyo Motor Show.
Taking a new look at the images of Bugatti's seminal Veyron in concept form reminds us how closely the boutique automaker followed its initial design when crafting the 1,001-horsepower production model in 2005. Have a look for yourself in the high-res image gallery above, and feel free to compare that car's sensuous curves with the Veyron 16.4 Grand Sport Vitesse, an updated topless model with 1,200 horsepower and a 255-mile-per-hour top speed.