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Motor Trend pits Aston V12 Vantage S against Jaguar XKR-S GT in battle of the Brits

With the recent increase in higher-performance versions of already high-performance vehicles, like Mercedes-Benz and its AMG Black Series, the public is now gaining even greater access to speed and maneuverability. Two of the most recent sports cars to get their wicks turned up include the Jaguar XKR-S GT and the Aston Martin V12 Vantage S.
Both of these cars are the pinnacles of their lines, with the Jag lording over the XKR-S, XKR and XK while the Aston rules over the standard V8 Vantage S and V8 Vantage. Motor Trend has opted to pit the two rivals together for some thorough testing, and it just happened to bring along a few video cameras to capture all the action.
There's nearly 19 minutes of super hot sports car action below, so scroll down and enjoy.

Aston Martin DB11 spied in production sheetmetal

Aston Martin has taken yet another step toward debuting its long-awaited replacement for the DB9, the DB11, ditching the heavy, obstructive plastic cladding for production sheetmetal and stick-on camouflage. The move gives us our best look yet at the automaker's next volume grand tourer. Opinions on whether or not this new car gets its inspiration from the DB10 featured in the James Bond film Spectre are divided. From what we can tell, the profiles are virtually identical between the cinematic machine and this DB11 mule, and it looks like the DB10's thin taillights sit in larger cutouts below a similarly shaped trunk lid. The DB11 does look to get some kind of spoiler, though, and it may even be a pop-up item, neither of which were featured on the Bond car. The biggest differences between the movie coupe and the road car are found on the front end. The headlights are certainly larger and have had their shape tweaked. They now run further up into the fenders, giving just a hint of Ferrari F12. Even so, they're still unmistakably Aston Martin units. That's also true of the grille, which ditches the concept-spec single element on the DB10 for a more conventional upper and lower unit. We have no explanation for one element, though. Look closely at the C-pillar, and you'll notice what looks almost like some kind of vent. Our spies argue that it's an aerodynamic item, like you'd see on the C-pillar of a BMW i8, but we aren't sure. Were it a pure aero aid, we'd expect to be able to see through the other side, like you can with the i8 or something like an Air Curtain. Instead, it could be some kind of air intake for cooling. That's just conjecture, but it's not unreasonable. But what's under the hood? Our spies did some digging and doubt that it's Aston's traditional 6.0-liter V12. Instead, registration data for the prototype shown above lists its engine displacement at 5.2 liters, with our spies claiming forced induction will be used. It's not clear if this engine is a product of of Aston's relationship with Mercedes-AMG – the only V12 you'll get from the Germans is a 6.0-liter twin-turbo, while it also sells a 5.5-liter, twin-turbo V8 – but it seems like a possibility. Check out the spy shots up at the top of the page for the full battery of spy images. Related Video:

Ford's J Mays feels vindicated by Fusion reception

It's hard to think back now, but the same man overseeing the design of the 2013 Ford Fusion also presided over a rather lackluster period in Ford design, highlighted by vehicles like the Five Hundred and Freestyle. With the redesigned Fusion receiving high praise, J Mays tells Automotive News that he feels vindicated from criticisms suggesting he's not a daring enough designer.
When Mays took over as lead of design in 1997, he admits to having quite an ego ("My head would barely fit through the door some days. I've long since gotten over myself") and the workload to match. With the Blue Oval's portfolio full of premium brands like Aston Martin, Jaguar, Land Rover and Volvo at that point, along with the bread-and-butter Ford, Lincoln and Mercury models, Mays certainly had quite the challenge.
It was in the mid-2000s that Mays took over just the premium brands, and took on the new title of Chief Creative Officer. At the time, Mays endured some criticism for looking backwards to retro styling, rather than setting a new standard for American car design - criticism that Mays says he is free from with the all-new Fusion.